Why I Play in the Dark: The Method to the Madness

Classical music has a reputation for being stuffy. It belongs in museums. It belongs in concert halls where you can't cough. But when Liszt wrote these pieces, he wasn't being safe. He was a rockstar. He was breaking pianos. I wanted to bring that danger back. The blindfold isn't just a challenge; it's a way to force myself—and you—to really listen to the risk.

Welcome to the chaos. Thanks for watching (and listening). Now I have to go practice octaves until my hands fall off.